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Marine Museum of the Great Lakes at Kingston
55 Ontario Street, Kingston, Ontario. K7L2Y2
Phone: 613 542 2261 Research E Mail: curator@marmuseum.ca

 


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The Preserve Our Wrecks (P.O.W.)

P.O.W. Photo Project

 


Project Summary

Project Name P.O.W. Photo Project
Licensee Jonathan Moore
Address Preserve Our Wrecks (Kingston)
c/o Marine Museum of the Great Lakes at Kingston
55 Ontario St.
Kingston ON K7L 2Y2
Licence 96-013
Past Licence 95-096

Study Area Lake Ontario from Prince Edward Bay to Wolfe Island, north to Kingston.

Objectives To collect photographic images of historic shipwrecks and submerged archaeological sites in the Kingston area prior to their complete coverage by zebra mussels (Dreissena polymorpha) and quagga mussel (Dreissena bugensis).

Results The following number of images were collected:
184 prints;
1,102 slides;
679 Hi-8 video stills;
and approximately 12 hours of Hi-8 video.

These photographic images were collected not only during fieldwork (collectively under licences 96-013 & 95-096), but also from the photographic collections of underwater photographers. In addition, an archaeological inventory survey was completed of the marine graveyard in the Back Bay, Garden Island.

Grants Ontario Heritage Foundation, ARG-703 ($5,000) Davies Charitable Foundation ($1,000)

Commenced March 1995

Completed September 1997

Acknowledgements

Many individuals and organizations have contributed to the completion and success of the P.O.W. Photo Project. Most importantly, the project would not have been possible without the generous financial support of the Ontario Heritage Foundation made via a $5,000 Archaeology Research Grant (ARG-703). A $1,000 donation from the Davies Charitable Foundation allowed for the purchase of computer equipment and software for the creation of Hi-8 video stills. Sony Canada donated Hi-8 video tapes for the project. Camera Kingston has provided significantly discounted prices for film stock and photographic processing. Susan Bazely, Executive Director of the Cataraqui Archaeological Research Foundation generously provided office space throughout the project free of charge.

Permission to conduct the survey of the Back Bay of Garden Island was generously granted by John and Meg D’Esterre, and the use of their dock on the island was greatly appreciated. Mr. Peter Brown freely gave permission to dive the wreck of the St. Lawrence from his backyard at 9 Morton St.. Dr. G. Skinner of 24 Cartwright Point also kindly allowed passage through his yard and the use of his dock for diving in Deadman Bay.

A number of organizations loaned equipment used during the project. Peter Engelbert of the Ontario Marine Heritage Conservation Program (O.M.H.C.P.) loaned the following equipment: Zodiac inflatable boat with outboard motor and trailer and V.H.F. radios. On several occasions Parks Canada Underwater Archaeological Services loaned a Nikonos V still camera and lenses as well as a Sony Hi-8 Handycam with Amphibco underwater housing; these loans were arranged by Peter Waddell, Chriss Ludin, and Bruce Bennett. In addition, imaging equipment at the Federal Archaeology Office, Parks Canada, was employed during the capture of digital images and for the production of CD-ROM discs; I thank Judy Marsh, Sue Gelinas, and Rock Chan for their help in this respect. Lorne Murdock of the Historic Resource Conservation Branch (H.R.C.B.), Parks Canada, also loaned a Nikonos V and strobe. The Department of Civil Engineering at Queen’s University loaned an E.D.M. total station for several weeks during the Garden Island survey; I thank Francis MacLachlan for arranging this loan. Mary Moore generously loaned her computer for the cataloguing of the photograph collection and the production of this report. Mary and David Moore allowed a Zodiac boat to be stored in their garage most of summer of 1996. Andrew Gigučre provided assistance in scanning slides and the creation of Figure 96. One day, Cliff Rowe of Limestone Dive Centre gave return boat transport to Garden Island free of charge.

All project participants, including the author, were volunteers and collectively donated hundreds of hours towards the project. The assistance of Peter Engelbert during the Garden Island survey is also greatly appreciated. The following individuals participated in the 1996 archaeological survey at Garden Island:

Michelle Moore David Kisilevsky
Peter Engelbert Jonathan Moore
Ken Fuller Julien Vernet

The following individuals participated in photographic fieldwork during the project:

Reg Aitken Ken Mullings
Doug Amos Rick Neilson
William Dempsey David Ostifichuck
Michelle Moore Doug Pettingill
David Kisilevsky Gary Thibault
Jonathan Moore

Tremendous generosity was shown by the following who opened their photographic collections to the author and permitted copies of their images to be made:

Doug Amos David Ostifichuck

André Blais Les Pullen

K. & S. Cooper Jana Smith

Peter Engelbert Gary Thibault

Don McLeod Toni Towle

Lorne Murdock Michael Williams

The production of this report was assisted by the following individuals and organizations: Doug Amos and André Blais provided guidance on methodology for the collection of Hi-8 video and the creation of video stills during the early stages of the project; Rick Neilson generously provided references to historical newspaper articles and made available copies of photographs for duplication, as well as sharing his own shipwreck research files; research facilities at the Marine Museum of the Great Lakes at Kingston and the Kingston Archaeological Centre were employed during the writing of the report; Paul Skafel, Queen’s University student produced earlier versions of Figures 1, 2 and 96; Al Hansen, Queen’s University G.I.S. Lab, processed the Garden Island survey data in AutoCad and produced an early version of Figure 96; Penny Young of the Ontario Ministry of Citizenship, Culture, and Recreation provided assistance in the assignment of Borden Numbers; the staff of DigiGraphics provided assistance during the final production of this report; Jerry Boutilier and Tim Legate, P.O.W. Treasurers, managed project funds. Rick Neilson and Michelle Moore read earlier versions of this report.

I thank all of the P.O.W. members and local dive charter operators who provided assistance, support, and encouragement for the project. Michelle Moore deserves special recognition for living with the "Photo Project" for two years.

Archaeological sites examined during the P.O.W. Photo Project, 1995-1996.

Site names followed by 95 and/or 96 were photographed archaeologically in 1995 and/or 1996 respectively. An asterisk denotes no archaeological photography in either 1995 or 1996 under licenses 95-096 & 96-013 respectively.

Site Descriptions

Site descriptions for the following forty-one sites provide an historical and archaeological background to each site. In the "Historical Background" three principal sets of data are given:

(i) the construction and use of the vessel or site, and if a vessel, the registration details. If available a contemporary photograph is included;
(ii) for vessels, the wrecking or disposal event;
(iii) the rediscovery and current use of the site. More detailed historical accounts are provided for the Garden Island and Deadman Bay graveyards.

The "Archaeological Description" provides the following information:

(i) general location and depth of water;
(ii) attitude of vessel, if applicable;
(iii) bottom type;
(iv) site condition or integrity;
(v) description of the salient characteristics of the site
(i.e. method of construction), in the case of vessels the description is from bow to stern;
(vi) artifact potential;
(vii) a percentage estimate of the extent of mussel coverage.

The emphasis of the P.O.W. Photo Project was simply photographic recording; measured survey was not undertaken except in the case of the St. Lawrence and Deadman Bay 1 and 2. Although the Archaeological Descriptions will seem overly narrative, I have attempted to provide an archaeological context for the photographic record. The author has dived all sites except the Frontenac, R.H. Rae, and Annie Falconer.

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Site Name and Identity

Possible Identity

Borden #

Built

Deposition

Aloha 95

BaGd-4 1888 1917
Annie Falconer * AlGe-1 1867 1904
City of Sheboygan 95 BaGe-3 1871 1915
Comet 95, 96 BaGd-5 1848 1861
Cornwall 95 BaGd-6 1854 1930
Deadman Bay Graveyard
Deadman Bay 1 96 Kingston (ex Prince Regent) BbGc-45 1814 1832
Deadman Bay 2 95, 96 BbGc-46
Frontenac * BaGd-7 1901 1929
Garden Island Graveyard
Garden Island 1 96 Parthia BbGc-47 1896
Garden Island 2 96 Rideau King (ex James Swift) BbGc-48 1893
Garden Island 3 * BbGc-49
Garden Island 4 * BbGc-50
Garden Island 5 * BbGc-51
Garden Island 6 96 Chieftain BbGc-52
Garden Island 7 D.D. Calvin 96 BbGc-10
Garden Island 8 * BbGc-53
Garden Island 9 * BbGc-54
Garden Island 10 * BbGc-55
Garden Island 11 * BbGc-56
Garden Island 12 * Hercules BbGc-57 1857 1871
Garden Island 13 96 Highlander BbGc-58 1850 1871
Garden Island 14 96 William IV BbGc-59 1831 1858
Garden Island 15 96 BbGc-60
Garden Island 16 * BbGc-61
Garden Island 17 * BbGc-62
Garden Island 18 * BbGc-63
Garden Island 19 96 Denmark BbGc-64 1867
Garden Island 20 96 BbGc-65
Garden Island 21 96 BbGc-66
Garden Island 22 * BbGc-67
Garden Island 23 * BbGc-68
George A. Marsh 95 BaGd-3 1882 1917
Mapleglen 95 BaGd-8 1887 1925
Morton’s Wharf * BbGd-18 N/A
Munson 95 BbGd-3 1890
Olive Branch 96 AlGe-2 1871 1880
Fort Henry Ordnance Wharf 96 BbGc-69 1815 N/A
R.H. Rae 96 AlGf-6 1857 1858
St. Lawrence 95, 96 BbGd-6 1814 1833
William Jamieson 95 BaGe-4 1878 1923
William Johnston 95 BaGd-9 1878 1937


Introduction
Photo Project
Sites: an Historical Context

Until the completion of the St. Lawrence Seaway in 1958 Kingston played an important role in Great Lakes shipping and maritime commerce; today Great Lakes ship traffic passes by Kingston, south of Wolfe Island. Historically, Kingston’s situation at the confluence of Lake Ontario, the St. Lawrence River, and the Great Cataraqui River (after 1832 the southernmost stretch of the Rideau Canal) made it a natural strategic and commercial centre. Although little marine traffic other than yachts and pleasure craft enter the harbour today, there is rich archaeological evidence for the prolific maritime activity during the nineteenth and early-twentieth centuries; this evidence comes chiefly in the form of shipwrecks, abandoned ships, piers and wharves.

After the capture of Fort Frontenac by the British from the French in 1758, resettlement of the Kingston area did not begin in earnest until the influx of United Empire Loyalists from the United States in the 1780’s. Kingston then began to grow in commercial and strategic importance. Kingston became the base of the Provincial Marine, and Point Frederick the site of the naval dockyard in 1789. The military presence at Kingston grew dramatically during the War of 1812-1814, and in 1813 the Royal Navy took over the base at Point Frederick from the Provincial Marine and initiated a frenetic program of shipbuilding between 1813-1814; remains of at least three Point Frederick-built warships survive at Kingston, including the St. Lawrence and Kingston (ex Prince Regent). These ‘late-model’ warships and others, which saw very little action during the war, were laid-up in Navy Bay for two decades following the war, and during the 1830’s some were broken up completely, and at least two were towed around to Deadman Bay (between Point Henry and Cartwright Point) where they were abandoned (Figure 1a). The largest warship afloat, the St. Lawrence, was auctioned off then towed across to Kingston in 1833 to serve as a storehouse for a large brewery owned by Robert Drummond and later James Morton. There the hull gradually disintegrated and disappeared under shallow water, at the foot of what is now Morton St.. The War of 1812-1814 also resulted in the construction of Fort Henry on Point Henry; the construction of an Ordnance Wharf on the point (along the east side of Navy Bay) is associated with this period of construction, and the wharf undoubtedly served as a funnel for materiel and supplies destined for the fortification.

A stone’s throw from the remains of the St. Lawrence, a large wharf of a different variety from the Fort Henry Ordnance Wharf is still standing. Built as early as the 1830’s it also served Drummond and Morton’s brewery and was used for bringing in raw materials for the business, and shipping out the finished product. This is just one example of the industrial and commercial activity at Kingston during the nineteenth century. By the mid-nineteenth century Kingston was a bustling port and between 1841-1843 served as the capital of the Province of Canada.

Garden Island, three kilometers south of Kingston provided the home for one of Kingston’s most important and diversified businesses between the 1830’s and 1914: the Calvin family timber forwarding, shipbuilding, and towing/salvage enterprise. The backbone of the company’s trade was timber forwarding; "sticks" of timber from around the Great Lakes were brought to the Back Bay of Garden Island for assembly into large rafts which were towed down the St. Lawrence River to Quebec, principally for export to Europe. Many of the company’s schooners and later steamers which brought this timber to Garden Island or towed the rafts were built on Garden Island. Ironically, after they were unfit for service afloat, up to twenty-three vessels were put to work as piers and breakwaters in a marine graveyard in the Back Bay of Garden Island.

Two former Calvin & Co. steamers did not end their days in the shallow water of the Back Bay, but lie in two different deep-water marine graveyards west of Kingston (Figure 1b). The Calvin & Co. side-wheel steamer Cornwall served the company as a salvage tug for a short period, was sold, and circa 1931 was scuttled south of Amherst Island. The other vessel, the screw-propelled tug William Johnston met a similar fate in the 1930’s, but was scuttled in a graveyard southwest of Simcoe Island. At least ten vessels are found in each of the two graveyards and many of them had been removed from shallow-water graveyards in Kingston and Portsmouth harbours in 1925 and 1937. One of the vessels moved to the Amherst Island Graveyard in 1925 was the Mapleglen, a huge, aged, wooden-hulled screw-steamer belonging to Canada Steamship Lines; archaeological and documentary evidence suggests that one of the vessels in the Amherst Island Graveyard is the Mapleglen.

All of the aforementioned sites were positioned deliberately, and strictly speaking they are not ‘shipwrecks’; the true shipwreck sites in the vicinity of Kingston were deposited as a result of disasters. The majority of these sites are of schooners, the workhorses of lake shipping between the late-eighteenth and late-nineteenth centuries. They were generally engaged in shipping small to medium-sized bulk cargoes (e.g. lumber; agricultural produce; coal) on the Great Lakes, St. Lawrence River, and in some cases Lake Erie and the Upper Lakes. For instance, the schooners Annie Falconer, Olive Branch, George A. Marsh, William Jamieson, and the schooner-barge Aloha were coal-laden when they were wrecked near Kingston. The largest bulk cargoes were carried by large wooden-hulled screw-steamers, in turn replaced in the early twentieth-century by even larger metal-hulled screw-steamers.

The steamship passenger and package freight business on the Great Lakes was inaugurated by the launch in 1816 of the side-wheel steamship Frontenac at Bath, Ontario, just west of Kingston. If the workhorse of bulk shipping for most of the nineteenth century was the schooner, the side-wheel steamer was the workhorse of the passenger, package, and mail routes during this period. This class of vessel is no better exemplified than by the wreck of the steamer Comet, built at Portsmouth, Ontario, in 1848 and wrecked near Kingston in 1861.

One unique submerged vessel which was neither sail nor steam-propelled is the Munson, a dredge that sank abreast of Lemoine Point (near Collins Bay, Ontario) in 1890 while being towed to Belleville.

One of the most recent shipwreck discoveries in the Kingston area involves yet another Calvin & Co. built tug, the Frontenac, lost while returning from a salvage job on Main Duck Island in 1929. Unlike her sister tug the William Johnston, she was not stripped of machinery and gear before going down, and therefore paints a much richer archaeological picture.

Whatever the nature of the formation of these sites, they present a representative sample of not only the ships which worked in and around Kingston, but also some of the shore-bound facilities required to operate these ships. They include some of the best or only surviving examples of certain classes of ships in the Great Lakes. Indeed, the sites provided a remarkable potential for exploration and study when sport diving at Kingston began.

 

 

Methodology
Collection of Existing Photographic Images

Two approaches were taken to the collection of existing photographs: (i) advertisements were made at Underwater Canada between 1995-1997, in Diver Magazine and in the O.U.C. Newsletter; (ii) known photographers were contacted personally. P.O.W. members and dive charter boat operators from the area advised on the names of potential donor photographers. It is important to note that thousands of photographs of area wrecks exist in private collections, but most of those collections were not observed. All photographers contacted were willing to allow duplications of their photographs to be made. Generally, the author inspected each photographer’s entire collection and selected images for duplication. Two Hi-8 tapes were donated by Katrin and Steve Cooper, and these contained footage on many of the Photo Project sites.

 

Fieldwork Photography to Collect New Images:
Photographs & Hi-8 Video

Existing photographic collections did not present complete coverage of the sites in the study area selected for photographic recording. Therefore, fieldwork photography was undertaken primarily at sites not frequented by sport diving photographers (i.e. Deadman Bay Graveyard, St. Lawrence, Garden Island Graveyard, Fort Henry Ordnance Wharf). In the cases where extensive photographic recording by sport divers had already taken place (i.e. Comet, George A. Marsh), photography was directed at obtaining records of structural components not always recorded by those sport divers. The collection of photographs in 1996 on all sites (excluding Garden Island) was conducted on an ad hoc basis by J. Moore and D. Ostifichuck, between May and November 1996.

No diving or photography under licence 96-013 was conducted on the site of the Frontenac in 1996. Nevertheless, prints by J. Smith of the site were collected and incorporated into the collection. The location of the site has not been disclosed to the author, although an Archaeological Site Record form has been completed.

Still photography was directed at obtaining both general and detailed images of site features. All of the shallow photography at Garden Island and the Fort Henry Ordnance Wharf was taken using available light. The St. Lawrence and Deadman Bay 1 and 2 were photographed with both available light and artificial light. Artificial light was used on all of the deep sites, and this photography was undertaken on an ad hoc basis between 1995 and 1996. On some deep sites D. Ostifichuck and M. Williams have also mounted cameras on tripods and taken general site photographs with available light. Scale bars were employed during the still photography by J. Moore only on the St. Lawrence. Photographs taken by J. Moore and D. Osticichuck employed Fuji Sensia 100ASA and Sensia 400ASA.

The primary objective of the Hi-8 video recording was to obtain good general coverage of each site. All of the Hi-8 video was taken during the Autumn of 1995, principally on account of the excellent underwater visibility at that time of the year. Some Hi-8 video was taken with the use of 1.0m scale bars (graduated each 0.20m) or a 0.30m scale bar (graduated each 0.20m). The Hi-8 video taken by J. Moore employed a Sony Hi-8 Video CCD-TR101 inside an Amphibico Inc. TR-101 Amphibicam Housing. All video was taken with available light. All tapes were duplicated onto Sony Hi-8MP tapes using Sony Hi-8 decks.

During the fieldwork, no artifacts were either disturbed or raised to the surface.

Image Digitizing to CD-ROM

Hi-8 video stills were created to digitally preserve images from Hi-8 video and make those images much more accessible and viewable via computer. Hi-8 video stills were captured using a Sony Hi-8 Video CCD-TR101 connected to Play Incorporated Snappy Video Snapshot hardware and software. Stills were captured at 640 x 480 image size and were saved in JPEG format (*.jpg). The average file size is about 200KB. Video stills derived from Hi-8 video by Katrin and Steve Cooper were digitized in the same manner, but employing a Sony Hi-8 deck. A selection of colour prints were also digitized, again to make them accessible for viewing via computer. Prints were scanned using a Hewlett-Packard Scanjet 4C and were saved in JPEG format (*.jpg). Average file size is about 500KB. In future, a selection of colour slides will be digitized onto Kodak Photo-CD.

Image Cataloguing, Labelling and Storage

All images were catalogued by J. Moore using the database Microsoft Access Version 7. The catalogue is divided into four categories: Prints (Appendix 1); Colour Slides (Appendix 2); Hi-8 Video Stills (Appendix 3); and Hi-8 Video (Appendix 4). Catalogue numbers for the prints, colour slides, and Hi-8 video stills are formed from the site’s Borden Number and a sequential

number, followed by an "S" (Colour Slide), "P" (Print), or "VS" (Hi-8 Video Still). The majority of sites examined during the P.O.W. Photo Project had not previously been assigned Borden Numbers. Existing catalogues for photographs of Deadman Bay 1 and 2 taken in 1988 by Peter Engelbert were updated. Original slide mounts were removed and replaced with Gepe 7001 glass-less mounts to standardize the collection. These slide mounts were automatically labelled using a Trac Industries A6 Slidetyper at Parks Canada. Slides are stored in Viewpacks Super Archival 24 sleeves.

Both Hi-8 video stills and selected digitized prints were written to CD-ROM in JPEG format (*.jpg). As mentioned above, selected colour slides were digitized on Kodak Photo-CD. Two near-identical sets of images were assembled, one for the Marine Museum of the Great Lakes at Kingston and the other for Preserve Our Wrecks (Kingston); the former set does not contain images of Deadman Bay 1 and 2 taken by Peter Engelbert in 1988. Where applicable, all original images are in the set held by Preserve Our Wrecks (Kingston).


List of Abbreviations

The names of the following organizations are abbreviated as follows:
P.O.W. Preserve Our Wrecks (Kingston)
S.O.S. Save Ontario Shipwrecks
M.M.G.L.K. Marine Museum of the Great Lakes at Kingston

The following abbreviations appear in the footnotes:

D.B.W. Daily British Whig
K.W.S. Kingston Whig-Standard
N.A.C. National Archives of Canada

The following abbreviations are employed in the Appendices ("Dir." column) to indicate the direction of view of photographs. At non-wreck sites (Fort Henry Ordnance Wharf; Morton’s Wharf), wreck sites at which the bow and/or stern are not discernible (Garden Island 13, 14, 21; St. Lawrence), and surface photographs, the following are employed:

N North
E East
S South
W West

The following denote directions relative to the hulls of wreck sites. They are employed only in cases where the bow and/or stern of the wreck are discernible:

A Aft (towards the stern)
F Forward (towards the bow)
P Port (towards the left side of the hull, facing the bow)
St Starboard (towards the right side of the hull, facing the bow).
O Outboard (out from the hull)
Combinations of the above are also employed. For example, "P/F" indicates that the direction of view is towards port and forward; "NE" denotes the direction is northeast. In addition, the notation "---" is employed in the following cases: the direction of view could not be determined; the direction of view is down; the photograph is a "Detail" close-up.

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Update July 07 MDS